
Kin works with a lighter, finer hand — clean line and illustrative black-and-grey, drawn like pages torn from a sketchbook and pressed into skin. Her pieces lean personal and a little strange: a ronin mid-step, a heart that stares back, an old television still glowing. Where the studio goes heavy and monumental, she goes quiet and precise — fine linework, patient shading, room left to breathe. If you want something small, narrative and unmistakably yours, she is the hand for it. See more of her fine-line tattoo work in Bali.





